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Image of Refresentasi budaya Tionghoa-Jawa dalam motif batik lasem

 

Refresentasi budaya Tionghoa-Jawa dalam motif batik lasem

The thesis is titled "Culture Representations of Chinese-Javanese
Batik Lasem 's Motif'. The purpose of this study was to determine the icon, ...

  • CodeCallNoLokasiKetersediaan
    01001120700482302.2 Isk f/R.21.98Perpustakaan Pusat (REF.98)Tersedia
  • Perpustakaan
    Perpustakaan Pusat
    Judul Seri
    -
    No. Panggil
    302.2 Isk f/R.21.98
    Penerbit Magister Ilmu Komunikasi : Bandung.,
    Deskripsi Fisik
    xv, 179 hlm. ; il. ; 29 cm
    Bahasa
    English
    ISBN/ISSN
    -
    Klasifikasi
    302.2 Isk f
    Tipe Isi
    -
    Tipe Media
    -
    Tipe Pembawa
    -
    Edisi
    -
    Subyek
    The research method adopted in this study is a qua
    Info Detil Spesifik
    -
    Pernyataan Tanggungjawab
  • The thesis is titled "Culture Representations of Chinese-Javanese
    Batik Lasem 's Motif'. The purpose of this study was to determine the icon,
    index, and symbol in Chinese-Javanese culture through the motif v of Batik
    Lasem and hidden meanings in it, where these all are parts of theCulture
    Representations of Chinese-Javanese Batik Lasem 's Motif

    The research method adopted in this study is a qualitative method of
    Semiotics analysis approach formulated by Charles Sanders Peirce. While
    the goal in this study is three types of Batik Lasemcloth which loaded with
    signs and meanings, as for the question is: Red Dragon motif, Lock
    Chanmotif, and Oriental motif. The samples were taken by purposive
    sampling. The data collection techniques are performed by means of
    observation, literature studies and depth interviews.

    Based on the results of research and discussion, the three types of
    batik motifsare derived to the following conclusions: 1. leons in each Lasem
    motif discussed in this study illustrate the typical pattern from Lasem. The
    Red Dragon motif contained the dragon image, latah, truntum jlowers,
    thedominance of red color, with white background. The Lock Chan motif
    shows the image of a lock chan bird, serit, lotus flower, the dominance of
    red, white cloth base. While the Oriental motifcontained the image of four
    China's letter, lanterns, latohan, serif, iruntum flowers, and
    isensupplementary such as ungker, three bars, three points. 2. Index of all
    those three motifs in this discussion representsthe acculturation between
    Chinese and Javanese. 3. Batik motif's symbol discussed in the research

    means luck or happiness, both in Red Dragon or Lock Chan motif, and so

    Oriental motif.

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